Kolor film by Revolog – Multiple Exposures – Canon – At the Zoo with Scott Barbick

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Scott Barbick and I went to the zoo nearby one cold fall day. He was shooting medium format lomo purple… (I think…) and I was shooting 35mm Revolog kolor film (my favorite fun film). I am not sure what prompted me – but I decided to shoot a multiple exposure roll. It seems I shot each frame consecutively… and of course – not every one is a multiple exposure – meaning that I must have had to hit a button or something to make it do this and I forgot. Ultimately, I expose for 100 on the 200iso film if I plan for shooting dualies…

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Hawkeye C41 Super Color with Leica in Bermuda on Front Street

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From the website: “It’s being called the “Hi-Speed Ektar” because of it’s rich colors! Previously only available on bulk cored reels, the FilmPhotographyProject now offers the much talked about “Kodak Hawkeye Traffic Surveillance Film” in convenient hand-rolled 35mm canisters of 24 exposures! An amazing color film that is easy to process by you or your corner pharmacy – C-41!

This amazing color film is bulk loaded from film that Kodak calls Hawkeye Traffic Surveillance Film. It’s technical application was in surveillance cameras and because of this, it has amazing, flexible color and exposure latitude. Shoot it at 200 asa…shoot it at 400 asa…shoot it higher – you’ll get an awesome image. Super Positive! Film is balanced for daylight or electronic flash and can be used under mixed lighting. This film uses the widely available Process C-41.

This film uses KODAK T-GRAIN Emulsion technology that provides extremely fine grain and high sharpness. This film provides a wide exposure latitude (2 stops under to 3 stops over the normal exposure) and push performance to EI 800. It has been optimized for use with film scanners and provides a durable emulsion overcoat to prevent scratches.

Amazing Latitude! Although rated at 400 asa both Michael Raso, Leslie Lazenby and FPP super friend Lance King have been shooting the film at 200 – 250 asa for more pleasing results.”

I do love the vivid colors. I wouldn’t exactly call it hi-speed – but 400 is 2x more than 100… in terms of iso.

All the images were taken with a Leica M3.

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Tree Next Door – Pentacon Six – Aero Ektar – Fuji Velvia 100

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The tree next door has some awesome colors in the fall. I tried to capture them last year – but failed. This year – I shot multiple rolls – specifically slide film (fuji velvia 100) in a pentacon six tl with aero ektar / freestyle mount.

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The Tree Next Door – Pentacon Six – Aero Ektar – 100s Ektachrome

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The tree next door has some awesome colors in the fall. I tried to capture them last year – but failed. This year – I shot multiple rolls – specifically slide film (ektachrome 100s) in a pentacon six tl with aero ektar / freestyle mount.

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Hawkeye C41 Respool – Super Color – Canon Lenses

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From the website: “It’s being called the “Hi-Speed Ektar” because of it’s rich colors! Previously only available on bulk cored reels, the FilmPhotographyProject now offers the much talked about “Kodak Hawkeye Traffic Surveillance Film” in convenient hand-rolled 35mm canisters of 24 exposures! An amazing color film that is easy to process by you or your corner pharmacy – C-41!

This amazing color film is bulk loaded from film that Kodak calls Hawkeye Traffic Surveillance Film. It’s technical application was in surveillance cameras and because of this, it has amazing, flexible color and exposure latitude. Shoot it at 200 asa…shoot it at 400 asa…shoot it higher – you’ll get an awesome image. Super Positive! Film is balanced for daylight or electronic flash and can be used under mixed lighting. This film uses the widely available Process C-41.

This film uses KODAK T-GRAIN Emulsion technology that provides extremely fine grain and high sharpness. This film provides a wide exposure latitude (2 stops under to 3 stops over the normal exposure) and push performance to EI 800. It has been optimized for use with film scanners and provides a durable emulsion overcoat to prevent scratches.

Amazing Latitude! Although rated at 400 asa both Michael Raso, Leslie Lazenby and FPP super friend Lance King have been shooting the film at 200 – 250 asa for more pleasing results.”

I do love the vivid colors. I wouldn’t exactly call it hi-speed – but 400 is 2x more than 100… in terms of iso.

I shot the blurred photos with an Aero Ektar and freestyle adapter on a canon. The others were other lenses.

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